Friday, 30 March 2012

Mirror and the Self

It seems that the minimalistic has the obsession with mirrors, from this article from Frieze, talking about the exhibition 'My head is on fire but my heart is full of love" curated by Glasgow based curator, Toby Webster, and Will Bradley and Henriette Bretton-Meyer in Copenhagen, Denmark. 

Here are several photographs that dealt with mirror and the self, which reminds me of the exhibition ' Microstoria' that I co-curated with my classmates from Edinburgh college of Art last year. 

David Bowie
David Bowie and Mick Ronson.
Tomas Burr, 1995.
David Bowie
 

Tom Burr, Brutalist Bulletin Board (detail), 2001



  

Also came across this morning on "Individual mythology", and I was wondering what it exactly means, 
later I found an explanation on personal mythology which the swiss/German painter Paul Klee, has dealt with his personal mythology in his paintings.  






Monday, 26 March 2012

Notes on the autonomous of art 1

Just some notes on my reading today

From literature theory's point of view to look at poetry as a form of art, and why was it so special.
The lecture starts from Plato's definition that saying the poets are liars.
But Aristotle argues that Poet does not interpret the world as it is, but the way it should be.
Beauty is the form of the purposiveness of an object, so far as it perceived in it,
structure, organism, purposive, an aesthetic object can be purposeful.













Oscar wilde - all art is quite useless - it is an unique thing 

we don't have to have interest in it in order to appreciate it, or in the sense of owning a company. 
we can be objective about it, we can be distance ourselves from our subjective of wants and unwants ..like and dislike.  We can co exist with it in a happy and constructive way. that is good for both of us. 

the recognition of our own value.
the self efficiency of our own art. 
it is not a serving science expression merely to represent things than other in itself.

our capacity of being disinterested in 
a way of acknowledging the freedom that existence that i am free that the things are free from my intructmental  interest in that.

serving nothing -  autonomous 
sustains and keeps bringing back into 

simply for its own sake - Kant "Art of art's own sake. 

new criticism -  a school of the idea that the indecent status of the work of art/ it means the work of art can be appreciated within the complicity. 

the experience called BEAUTY is as it is beyond the power of ethical world precisely as it is beyond the animal passion. 

ethical will / animal passion = grounded in passion.
by the advertise / by the moral reason  ---- the other category (judgement?) 
naked and nude (the semi conscious way/ that a category of aesthetic judgement) 

wimsatt - the romantic understanding the literature
romantic - the poem is an expression of some passion or profound genius, working its way into a form, but the important is its expression. 

the meaning/ the subject matter - the way in which the reader can interpret the meaning.
a põem is not and an expression but an independent object with self contained meaning.

The success or failure of a poem depends on the realisation of the meaning. if the meaning is not clear in the poem, then we judge the poem as a failure, if we respect the autonomy in the poem, then we don't appeal to the authorial intension.  Hence, the design or the attention of the author is neither available or desirable as a judge of a work of literary art. 

it is not a representation of the things they are but the things they should be. 
all literature is in implication - a poem. 

counter- intuitive: in the history of word. 


Wednesday, 21 March 2012

Research Process 2

I had tutorial with Neil yesterday, and I lied to him that I started writing.
will, actually I opened computer everyday and write something about art, but I think all the stuff that I wrote is shit. 
I am not sure about the frankenstein idea is a good idea, and I think I started to grow some emotion about my life here.

Thinking about my favourite taiwanese writer, who came to Edinburgh to study History.
She did MA, and then kept pursuing PHD in University of Edinburgh. But she gave up her phd research because she no longer see the reason to do research on History. 
The other day I was reading Deleuze and Guattari's view of the world which made me even more aimless.

Now all the things that I can think of is only eat and poo and eat and work out and pee.
So maybe I should just open an restaurant in Edinburgh or some sort.  But I don't think I am going to do the cooking.

Anyway the tutorial is like a nice chat with professor.
I will try to present a map that includes important milestones for my story.
or I will just write a dirty story about the monster's cock is actually from a man die from STDs because he went to art school and met a lot of performance artists who thinks nudity is a statement for womanhood.
And He rapes all the artists that wouldn't sign the contracts for the exhibition.  There is only one artists that has condom but he wouldn't risk to put the condom on the monster's cock because he is fucking selfish.

a selfish artist eventually being forced to proceeding oral sex with the monster and die.

~THE END~ 

Monday, 19 March 2012

Research Process

Just read something from Italo Calvino. (Reading Italo Calvino online free)
Just wondering if I should write about my breakfast this morning into the novella as well. 
Just in case Neil would like to know. 
Just thought the breakfast is also a very important part of my research. 
Just worried about if it's too late to approach post modern writing. 




Just wrote down a sentence 'I read Everything is illuminated' by Jonathan the Jew' on my blog. 
Just thought it is actually a truth but why it feels like a lie when I typed it out. 
Just decided that I should write about my breakfast also my weekend in my novella. 
Just confirmed with myself that my weekend is too interested to not write about it. 
Just grow another admiration for English.



Just almost teared a book of 'Billy childish' apart.
Just confirmed again that some of this artist's writing is unbearable boring. 
Just felt very regretted about taking the book 'Sex crime of the Futcher'
Just thought 'Ok, no the book is actually okay.'
Just tried to remember why I took this book.
Just realised that I took any book contains 'Sex' 'Rape' 'Erotic' 'Porn' 
Just thought about what would I do if I can choose my research project again. 


Just thought it's time to stop. 

Wednesday, 14 March 2012

Writing Process4: Thinking About these voices

     I can still remember vividly how irritated it is for me to read English translated novel.  I basically hate, deeply hated how these people writes.  They don't go straight to the point, the way they perceived their environment is shallow and borin, they failed to describe how birds sings and the difference between these melodies.  Basically, I think these translated-novels are the most boring books that I can see in the bookstore.  

     Their slang is mostly derived from life experience, but lack of historical stories as Mandarin.  The depth of language is because its lost of history.  Mandarin, as it has long history since it has first invented (Not sure about the one china uses though.), every words and characters contains how the ancient people perceived the world, how it changes through different dynasties, what type of aesthetic at then was valued by the Royal dynasty, and evolve into the language that Taiwanese uses now.  Mandarin writers, ancient or modern, past or now, most of them would know the importance of including the unspeakable in the written words.  And I think that is the beauty about Mandarin.  You can have a thousand way to describe flowers and each of them related to a story behinds them, which makes itself an connecting dot itself  that never stops expending. 

     Ever since I started to read in English, I was drawn to how expressive and nowness this language could be.  I felt this is a language for confession, for explanatory, for puns and witty humour to exist.  Although it is not as figurative as Mandarin is, but people who has a little bit studies in Graphic design would know, the typography in Mandarin is never possible to be clean and neat as the English one.  A language seems to be able for you to open to more experiment, more affront, more about what happens now. 

     I don't know if I can actually handle the language that well to write an fiction, but I thought maybe it is a chance for me to finally really writing what I want to say.  

Tuesday, 6 March 2012

Tutorial with Angela

So I decided to start from scratch this semester, but the idea of using Frankenstein as an allegory of how curator as Dr. Frankenstein collaging all the works of art by artists together, and therefore imposing meaning onto the exhibition, and these artworks will therefore being treated as parts and bits of fleshes from the body of artists.

Angela helps me to clarify several research point that I might want to be careful with in my master project.

  •  Be careful with assuming 'why art is good.'
  • David Graber's article 'the sadness of post-workerism'
The danger of assuming art is good comes from the modernist idea of art should be a good thing that helps to elevate the public to intellegent level.  But believing art is a good thing is not neccesarily true, also to create wealth (using art to create wealth could be a good thing)

Related reading could be found in Greenberg's writing, also examples from Jeff Koons ( the motive of making art shift from pure art to marketing.)

Remember to justify the assumption and approach.
why I m using this fiction writing to illustrate the scenario.
who I trying to effect.

How the assumption works in the contemporary art world?
assumptions as
  • art is a good thing
  • why should not creating art in order to serve as a market value.
  • morality of artist
Try to present the modernist idea of 'Art is a good thing' in my essay in order to present the shift of the postmodern idea of why art and why art makes us a better humanbeing?

The commodification of art ----> demolish the idea that art as an alternative space? really?
maybe not, because maybe the commodification of art is also another alternative in its value setting.  There are rarely any rule and precisely apply to art market (at least for living artists).


Thinking about the double side of human being, good ---- bad. 

it seems to be a much bigger project than I would ve thought at the beginning of my 2nd year. 

Thursday, 1 March 2012

2012惠特尼雙年展聲明/ Whitney Biennial 2012




2012 年惠特尼雙年展(2012, whitney biennial)將於三月一日開展:惠特尼博物館要求兩大主要贊助公司撤資聲名,與對於所有參展藝術家公開致歉。



雕塑,畫作,裝置藝術與攝影,以及舞蹈藝術,劇場,音樂與電影將於最近的紐約惠特尼雙年展展出。。自1932年開辦惠特尼雙年展(博物館成立於兩年前)以來,惠特尼雙年展持續與所有參展的藝術家藉由此屆雙年展來探討現今美國當代藝術的情況,並於今年邁入第七十六屆雙年展。
今年惠特尼雙年展決定將與多年贊助此雙年展的主要廠商- 蘇富比拍賣會(Sotheby's)與德意志銀行(Deutsche Bank)終止合作關係。鑒予其營業方針已對於雙方的合作關係造成不可彌補的障礙。

關於我們的贊助者

惠特尼要求贊助者撤資後仍會持續努力讓今年雙年展開幕,可惜的是在蘇富比提出對其他藝術資產擁有者的惡意要脅之前,我們已經與其簽約。去年蘇富比在拍賣會上創下價格新高,並且獲利超過十億美元,他們支付六百萬給其執行長。然而卻刻意利用合約從八月開始停止支付其員工薪水,在2011年年底,這些員工因此而失去他們及其家人的醫療保險。
惠特尼發現這些藝術作品在被二度拍賣時,大多數的獲利全被富有的投資客納入口袋,而真正創作的藝術家,連帶搬運工人,設展員工,技術人員皆被排除在此的獲利之外。我們瞭解藝術家(以及那些必須兼差來維持生活)與員工皆有權享有基本工資與應有的勞健保,而蘇富比拍賣會對於此勞工權益的霸凌與惠特尼博物館理念 ‘支持與收購在世藝術家作品’背道而馳。基於以上原因,惠特尼博物館決定不再讓蘇富比拍賣會玷污惠特尼雙年展的名聲。
惠特尼雙年展也要求與德意志銀行結束合作關係。基於德意志銀行正面對多起法律訴訟案件與詐欺案件的起訴。美國政府起訴德意志銀行貸款詐欺,並索賠超過10億美元,德意志銀行虛報其發放按揭貸款質量,使美國聯邦住房管理誤認這些貸款合乎發放保險標準,從而獲得政府擔保,目前該行正被聯邦住房管理,教師保險,與年金管理協會起訴。德意志銀行的行為已經對社會造成許多的負擔,並且使許多人失去工作與存款甚至家園。惠特尼博物館基於該行的各種行為與雙年展探討議題產生衝突等原因決定不再接受該行的贊助。


向所有參展藝術家致歉

惠特尼博物館很榮幸的能夠重新分配過去被大型財團與投資所霸佔的資源給與應得的藝術家。特別是在現今政經社會中,所有資產分配被集中於少數有錢人身上,而大多數人面臨破產與無家可歸,無法負擔健保,無法負擔食物的現象。然而,惠特尼雙年展仍意識到有些贊助者會希望藉由贊助此次雙年展來漂白其形象,並藉雙年展來隱瞞其對於社會資源的耗損與累積財富。這些贊助者借機將創意、智慧財產、文化資本化,基本上將整個社會改造成無法生存的世界。惠特尼雙年展意識到許多新秀藝術家為了參與主要博物館的展覽造成其職業面臨威脅,並間接允許前贊助者對於藝術家們的剝削利用致上歉意。本館希望此次參展藝術家能夠與我們共同譴責過去贊助者的錯誤,並信任藝術家們會利用此次的資源孵育出一個更有活力、能夠生存、公平、持續發展的世界。


Translate from:  http://whitney2012.org/
Translated by Yen Yi Lee